Newcomers to his considerable legacy could be forgiven for questioning 's gender upon first hearing his rocking waxings. 's exceptionally high-pitched vocal range is a fooler, but it only adds to the singular appeal of his music. His politically charged "Eisenhower Blues" allegedly caused all sorts of nasty repercussions upon its 1954 emergence on 's Parrot logo (it was quickly pulled off the shelves and replaced with 's less controversially titled "Tax Paying Blues").

. (that was his entire legal handle) fell under the spell of as a wee lad, thanks to his guitar-wielding dad. and were also cited as early influences. spent time in New Orleans before arriving in Chicago in the late '40s. Boogie grooves were integral to 's infectious routine from the get-go, although his first single for Chess in 1951, "Korea Blues," was another slice of topical commentary. From late 1951 to 1953, he waxed several dates for Joe Brown's JOB logo in the company of pianist , drummer , and on the romping "The Mojo," saxophonist .

waxed his most enduring piece, the infectious (and often-covered) "Mama Talk to Your Daughter," in 1954 for 's Parrot label. 's 1954-1955 Parrot output and 1955-1958 Checker catalog contained a raft of terrific performances, including a humorously defiant "Don't Touch My Head" (detailing his brand-new process hairdo) and "Natural Man." 's sound was unique: saxes (usually and ) wailed in unison behind 's boogie-driven rhythm guitar as drummer pounded out a rudimentary backbeat everywhere but where it customarily lays. Somehow, it all fit together.

Scattered singles for Shad in 1958 and Vee-Jay two years later kept 's name in the public eye. His music was growing substantially by the time he hooked up with USA Records in 1963 (witness the 45's billing: ). Even more unusual were the two acoustic albums he cut for German blues promoter in 1965 and 1966. and Down in Mississippi were done in Chicago under 's supervision, now free to elaborate on whatever troubled his mind ("Alabama March," "Vietnam Blues," "Shot on James Meredith").

Little did know his time was quickly running out. By the time of his 1967 death, the guitarist had moved to downstate Champaign — and that's where he died, probably as a delayed result of an auto accident he was involved in three weeks prior to his actual death. ~ Bill Dahl

J B Lenoir

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