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Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo (Rerecorded)
Various Artists
Orchestra
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo
New York Stadium Symphony OrchestraLeonard Bernstein
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Scherzo. Allegro molto vivace
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale – Adagio lamentoso
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): III. "We Have Just Been Examining..." (3rd Movt.)
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": IV. "And Now the Last Movement. In General I Should Say That This Is the Most Slavic of All" (4th Movt.)
Leonard BernsteinNew York Stadium Symphony Orchestra
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": I. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.)
Symphony No.3 in E-Flat Major, Op. 55, ILB 274 "Eroica": I. Allegro con brio
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": III. "The 3rd Movement Is a Marvel of Ingenuity and Deftness" (3rd Movt.)
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio – Allegro molto
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ..." (4th Movt.,Cont.)
Brahms: Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo
Symphony No. 5 in D Minor, Op. 47: I. Moderato
New York Stadium Symphony Orchestra
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): I. "Simplicity Itself..." (1st Movt.)
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): II. "I Always Feel This Gigantism" (2nd Movt.)
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): IV. "All That We Have Said" (4th Movt.)
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): V. "The Study of the Eroica Is a Lifetime's Work,..."
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": I. "Does This Music Sound Like the New World to You?" (3rd Movt.,Trio II; 1st Movt.)
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": II. "We Come Now to the Second Movement, Which Has a Charming Melody, ..." (2nd Movt.)
Schumann: Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai – Allegro ma non troppo
Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo. Allegro vivace
Schumann: Symphony No. 2 in C Major, Op. 61: III. Adagio espresssivo
Schumann: Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: I. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme)
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: II. "To My Mind Schumann Follows in This Tradition"
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: III. "Now Let´s Look at the Symphony Itself" (1st Movement)
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: IV. "And So We Have Arrived at the Allegro Section..." (1st Movement Cont.)
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: V. "In The Marvellous Scherzo That Follows..." (2nd Movement)
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: VI. "But Perhaps the Greatest Beauty..." (3rd Movement)
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: VII. "Even in the Final Movement" (4th Movement)
Brahms: Symphony No. 4 in E Minor, Op. 98: II. Andante moderato
Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso
Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: I. "Brahms´ 4th Symphony in E Minor is Today ..." (4th Movt., Opening Theme)
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: II. "Our Journey Begins Without Introduction..."
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: III. "Do You See Now What a Symphonic Theme Is?"
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: IV. "Now, Think of It - We Have So Far Only Had 44 Bars of Music"
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: V. "Here Is That 2nd Theme"
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VI. "This Brings Us to the Development Section Proper"
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VII. And Here We Are Back Home, Ready for the Rehearing of the Exposition..."
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VIII. "So We Arrive at the Coda"
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: IX. "Well, We Have Had a Microscopic Look at Symphonic Method"