wrote, together with , several immortal classics of bossa nova, such as "Desafinado" (1958), "Meditação" (1960), "Samba de Uma Nota Só" (1960), "Caminhos Cruzados," (1958) and "Foi a Noite" (1956). His body of work, though small, is immensely expressive and he can be considered one of the initiators of the bossa nova movement. Nevertheless, he still remains a very obscure figure, compared to other composers of the movement. In 1950, he started as a professional pianist with the Orquestra de Waldemar. In 1952, he signed with the nightclub Posto Cinco (playing in turns with ), the first of several famous nightclubs of Rio de Janeiro he played in, such as the French Can Can, Ma Griffe, Dominó, Mocambo, Mandarim, Casca, La Bohème, and others. In 1952, he also had his first recorded song, "Você Morreu Pra Mim" (with ), by Dora Lopes. His first collaboration with , "Incerteza," was recorded by the singer Mauricy Moura in 1953. In 1955, recorded "Castigo" (with ). In the next year, he had other of his songs (with ) recorded: "Só Saudade" (by Osny Silva and Cláudia Morena) and "Luar e Batucada" (by ). In 1957, recorded "Foi a Noite" (with ), that was considered by some critics as the starting point of bossa nova. In 1958, recorded one of the most important songs of the bossa (that also worked as a letter of intentions of the new genre), "Desafinado" (/). In 1959, Isaurinha Garcia recorded "Meditação," and "Discussão," both by the duo. After his first heart attack in 1959, he had his song "Brigas" (with ) recorded by Marisa Barroso in 1960; recorded "Meditação," "Samba de uma Nota Só," "Discussão," and "Desafinado" (all with ) on his LP O Amor, o Sorriso e a Flor. In 1960, had his second heart attack, followed by the fatal one, in November. ~ Alvaro Neder

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