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1
2000 Jazz Interview in New York City: I. Early Background
Pat Metheny
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2000 Jazz Interview in New York City: II. Education
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2000 Jazz Interview in New York City: III. the Notes Remain the Same
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2000 Jazz Interview in New York City: IV. Melody
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2000 Jazz Interview in New York City: V. Jazz Education Today
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2000 Jazz Interview in New York City: VI. Music Rewards
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2000 Jazz Interview in New York City: VII. Leading to the First Record
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2000 Jazz Interview in New York City: VIII. Trio in the 70s
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2000 Jazz Interview in New York City: IX. Bright Size Life
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2000 Jazz Interview in New York City: X. Losing Perspective
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2000 Jazz Interview in New York City: XI. Studio vs Live Work
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2000 Jazz Interview in New York City: XII. the Recording Studio
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2000 Jazz Interview in New York City: XIII. Gained Popularity
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2000 Jazz Interview in New York City: XIV. Musical Integrity
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2000 Jazz Interview in New York City: XV. Easier to Be a Jazz Guy
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2000 Jazz Interview in New York City: XVI. Push Boundaries
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2000 Jazz Interview in New York City: XVII. Personality
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2000 Jazz Interview in New York City: XVIII. Jaco Pastorius
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2000 Jazz Interview in New York City: XIX. Lyle Mays
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2000 Jazz Interview in New York City: XX. Composing with Lyle Mays
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2000 Jazz Interview in New York City: XXI. Keeping up with New Music
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2000 Jazz Interview in New York City: XXII. Smooth Jazz
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2000 Jazz Interview in New York City: XXIII. Energy
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2000 Jazz Interview in New York City: XXIV. Contemporary Figures in Jazz
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2000 Jazz Interview in New York City: XXV. People Have to Die
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2000 Jazz Interview in New York City: XXVI. Touring vs Playing for a Week
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2000 Jazz Interview in New York City: XXVII. Radio Interviews Are a Standard Tune
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2000 Jazz Interview in New York City: XXVIII. Future Projects
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