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1
Preface; My Purpose; My Title to Write On the Art of Song
Lilli Lehmann
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Section 1 Preliminary Practice
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Section 2: of the Breath
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Section 3: of the Breath and Whirling Currents
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Section 4: the Singer's Physiological Studies
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Section 5: Equalizing the Voice - Form
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Section 6: the Attack and the Vowels - Part 1
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Section 6: the Attack and the Vowels - Part 2
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Sections 7-8: Nasal Singing; the Head Voice - Part 1
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Sections 7-8: Nasal Singing; the Head Voice - Part 2
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Sections 9-12: Sensations of Tongue, Nose, Palate and Resonance of Head Cavities
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Sections 13-14: On Vocal Registers; Development and Equalization - Part 1
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Sections 13-14: On Vocal Registers; Development and Equalization - Part 2
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Sections 15-16: White Voices; Theodor Wachtel
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Section 17: Highest Head Tones
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Sections 18-19: the Tremolo; the Cure
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Sections 20-21: the Tongue; Preparations for Singing
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Sections 22-24: Position of the Mouth; Connection of Vowels; the Lips - Part 1
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Sections 22-24: Position of the Mouth; Connection of Vowels; the Lips - Part 2
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Sections 25-27: the Vowel Sound Ah; Italian and German; Auxiliary Vowels - Part 1
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Sections 25-27: the Vowel Sound Ah; Italian and German; Auxiliary Vowels - Part 2
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Sections 28-30: Resonant Consonants; Practical Exercises; the Great Scale - Part 1
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Sections 28-30: Resonant Consonants; Practical Exercises; the Great Scale - Part 2
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Sections 31-32: Velocity; Trill
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Section 33: How to Hold One's Self When Practicing
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Section 34: Pronunciation - Consonants - Part 1
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Section 34: Pronunciation - Consonants - Part 2
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Section 34: Pronunciation - Consonants - Part 3
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Section 34: Pronunciation - Consonants - Part 4
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Sections 35-36: Concerning Expression; Before the Public
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Sections 37-38 and Note: Interpretation; in Conclusion; Remedy for Catarrh and Hoarseness Part 1
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Sections 37-38 and Note: Interpretation; in Conclusion; Remedy for Catarrh and Hoarseness Part 2
